Mama Lola a Vodou Priestess in Brooklyn Peer-reviewed

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It's an interesting religion concerned more with the here and now than creation and after-life. Some rituals sound like shaministic magic until you lot recollect them through. One favo
The author was writing her PhD thesis on Voudou and over ten years grew close to Mama Lola, Alourdes, the mambo - priestess of her local Haitian customs. It's a very well-rounded book, with every bit much virtually Mama Lola and her family unit and parishioners every bit about the lwa - the spirits and gods - rituals and ceremonies performed.It'due south an interesting faith concerned more with the hither and now than creation and after-life. Some rituals sound like shaministic magic until you call back them through. I favoured 'treatment' is the aromatic bathroom of herbs and other materials, which sticks to the pare for up to 3 days. What brings dorsum memories faster and more intensely than smell? You lot only have to have a whiff of something yous haven't smelled in years for it to take you lot back to that moment. There is a psychological base to most of the curative rituals, it isn't just a 'placebo' result.
In Haiti, but non Brooklyn, the organized religion which has get syncretised with Catholicsm, serves a quite different purpose. Haitians have been ruled by greedy dictators and an unbelievably rich upper grade that employs private 'armies' to protect their interests since the fourth dimension of their freedom. Their just means of political protest is to exist 'possessed' by a spirit, to be the 'horse' of that god, put on the accoutrements, top hat, dress, whatever, and take to the streets to say whatever they like. They are non responsible, it is the gods speaking. No one, not even the worst dictator, would cartel to the stop them being as they too are adherents of the religion.
There is a twist at the finish of the book, a very, very abrasive twist. Karen McCarthy Brown, this PhD anthropologist of organized religion, journeys to Haiti and becomes an initiate and so a mambo herself. As a priestess she feels unable to give away any of the 'inner' secrets of voudoo and there the book ends.
Read in 1996, reviewed 26 May 2019 and the book lost none of his power during those intervening years.
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Karen McCarthy Chocolate-brown has penned a masterpiece! Mama Lola, known to family and friends as Alourdes, is a Mambo, an initiated priestess of Voudou who earns a modest living by serving her immigrant countrymen in America as a traditional healer and by conducting Haitian Voudou rites in her Brooklyn home. In 1978, Brownish, then a professor of religion at New Jersey'south Drew University beginning encountered Mama Lola while doing an ethnographic survey of the local Haitian population.
Walking between the worldsKaren McCarthy Brown has penned a masterpiece! Mama Lola, known to family and friends as Alourdes, is a Mambo, an initiated priestess of Voudou who earns a modest living by serving her immigrant countrymen in America as a traditional healer and by conducting Haitian Voudou rites in her Brooklyn dwelling house. In 1978, Brown, then a professor of faith at New Bailiwick of jersey'due south Drew University first encountered Mama Lola while doing an ethnographic survey of the local Haitian population. Intrigued by the priestess and her misunderstood and maligned tradition, Brown became at outset a friend, and then a member of Mama Lola's extended family and finally an enthusiastic participant in many of the rites that comprise the corpus of Voudoun devotional life.
Mama Lola, her daughter Maggie, their children and their ancestors, and the 'Lwa' (spirits) who frequently 'possess' them are an engaging, wonderfully various crowd: securely spiritual, profoundly thoughtful and ofttimes humorous characters marvelously skilled in surviving weather of extreme deprivation and oppression and in adapting to the atmospheric condition of life (or, afterlife) in the strange world of urban America.
Past the fourth dimension I had completed this delightful book, I felt myself securely involved in Mama Lola's life and that of her extended family. Chocolate-brown's writing is textured and a pleasure to read. The author goes far out on a limb, leaving her observer role and social scientist expertise and becomes an initiate into the faith, wedding ceremony the 'etic' of academia to the 'emic' of an ecstatic, profoundly sensual, Earth-centered religiosity.
The organisation of the text adds to its readability, with odd chapters offering stories nigh Mama Lola'south family and heritage and fifty-fifty chapters devoted to the pantheon of lwa (spirits) of the Voudou tradition. A glossary of Voudou terms has been added, which is indispensible to readers new to the subject.
Students and scholars of Haiti, the African Diaspora and African religious traditions volition enjoy and benefit from this work immensely. I recommend it as well to the general public for a about worthwhile reading adventure.
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The book was originally published in 1991, and in places it shows. Some of the language that was in common usage among academics at the time is now awkward and even somewhat offensive ("Tertiary Globe women," for example, which no ane would say at present simply which was a progressive field of report in the 1980s). Still, as a whole the book continues to be vibrant, in equal parts due to Lola's singular voice and to Karen's self-reflective writing. It is no surprise that this book radically transformed the field of ethnography, and that information technology continues to be widely read and taught - both by academics and by practitioners of Afro-Diasporic religions (and particularly those who have a foot in both of those worlds).
Mama Lola is now a beloved ancestor. Her legacy extends through her family, out across her Vodou family, and throughout the world by fashion of this book. May her proper noun never be forgotten and she spirit forever be served.
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But what really fabricated me desire to hurl the book to the other side of the room from time to time is Karen'due south personal involvement -
This is a book hard to rate. Some parts of it is quite interesting - on the mod (read 1980s) employ of vodou in Haiti and how information technology transforms and translates to life for Haitian immigrants in New York. That really IS quite interesting. The presentation of Alourdes (Mama Lola) is okay though I might found it a fleck too personal, in a way that the book doesn't actually warrant.But what really made me want to hurl the book to the other side of the room from time to time is Karen's personal involvement - not in the vodou life herself (that's up to her) but in the book. I can perfectly empathise her statement that it is impossible for her to only stay out of information technology and be a silent observer (I might not hold, but I sympathize it) but that is no reason for her to always place herself smack in the heart of everything. It'southward about cringing in the brusque stories (in themselves a bit cringing) where she writes almost herself in third person.
But if you can look past that it'due south an interesting book.
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As someone who found vodou before he found Mama Lola, the book reverberates every bit a sense of taste of domicile--the practices detailed are familiar and the lwa wri
This is probably the first and easily the best ethnographic report done of Haitian vodou to date. Brown writes carefully about her subject and notes, as anyone who tries to look at vodou purely from an bookish standpoint volition tell you lot, that the only style to really empathise what vodou is and does is to get inside and bring together the religion, which Brown did.As someone who found vodou before he found Mama Lola, the volume reverberates as a gustatory modality of home--the practices detailed are familiar and the lwa written about mirror the spirits I know. An splendid book for anyone curious about the religion or people involved in it, or anyone who wants a solid ethnography to chew on.
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I wonder, though, whether in that location isn't some irony in Brown's highly positive handling of Vaudou. S
This is a really fascinating look at what kind of organized religion makes sense for people whose lives are extremely different from our own. Dark-brown's sympathetic treatment of Vaudou helped me to understand non but Haitian faith, but too the religious culture of ancient pagan societies; it also gave me a improve appreciation of the social functions that the modern global religions serve in our own society.I wonder, though, whether there isn't some irony in Brown's highly positive treatment of Vaudou. She clearly feels the charisma of Mama Lola intensely, but Vaudou'south focus on immediate survival and family is largely incompatible with anthropology's tendency to reach out (successfully or not) to other cultures. Where does this study stop to be a disinterested study of another culture and instead become an idyll inaccessible to educated, showtime-globe men and women? I suspect that Chocolate-brown is highly aware of this outcome in her work, but that doesn't mean she is able to transcend information technology. Perhaps none of united states of america who experience the world through writing (and its audio-visual adjuncts) can.
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Mama Lola fascinated me. Karen McCarthy Brown weaves
I didn't know anything nigh Haitian Vodou prior to reading this book (other than common stereotypes from pop culture). A friend of mine is pursuing her doctorate in religion and mentioned this book during a "Bible report" session. (By Bible study, I refer to a group of people from my church who see one time a week to talk over all sorts of spiritual questions, issues, disciplines, etc.--whether or non they derive from a Christian perspective.)Mama Lola fascinated me. Karen McCarthy Brown weaves together stories of Haitian family lore with current Vodou practices. Through her stories, you lot gain a sense of how this group of Haitian immigrants have brought their healing traditions to their lives in New York. The book is very dense -- full of detailed stories of the various Vodou spirits (often a blend of African spirits and Roman Cosmic saints). More than annihilation though, it dispelled misinformation I had about "voodoo" civilization and shed light on a spiritual culture that strives to heal, understand, and connect in times of both suffering and joy.
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Karen McCarthy Brown becomes transformed through her anthropological field piece of work of Haitian Vodou, and information technology challenged a lot of supposition she had about life. It actually made me think nigh the "truths" that I hold and broadened my perspectives.
It was as well pretty center opening of to the hardships that Haitians and Haitian immigrants faces. Life
It thought information technology was a really interesting read. I doubt I would have picked this volume upwardly if it weren't for the form I read information technology for, simply I liked it non-the-less.Karen McCarthy Chocolate-brown becomes transformed through her anthropological field piece of work of Haitian Vodou, and it challenged a lot of assumption she had about life. It actually made me recall about the "truths" that I hold and broadened my perspectives.
It was besides pretty eye opening of to the hardships that Haitians and Haitian immigrants faces. Life in Haiti is actually hard, especially for women, but life for them in one case they immigrate to the United States is not cake walk. Haitians often experience must bigotry because they practice Vodou. I never realized how much prejudice there is against Vodou until reading this book and talking about it in class. It was really eye opening.
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If you're new to Haitian Voodoo, endeavor reading Alfred Metraux's Voodoo in Republic of haiti first. Metraux'southward book is a broad study, whereas
Excellent book. I learned not but a lot about Voodoo only likewise quite a flake most the struggle of the Haitian immigrant community in 1980s New York. I specially liked author'southward personal stories of Aloudes, the priestess who is the subject area of the book, and her family unit. Informative, personal, touching and occasionally funny - a much more than accessible scholarly book than nigh.If yous're new to Haitian Voodoo, effort reading Alfred Metraux'southward Voodoo in Haiti start. Metraux's book is a wide study, whereas Brown's is much more intimate. Both are excellent studies that shed much-needed lite the colorful and vibrant world of Voodoo.
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It was an interesting subject to read about.



My blasé attitude toward this book has very little to practice with the content. It is, in fact, a very fast and pleasant read... certainly worthy (at least) of a aeroplane ride/summer peruse. Alourdes' (Mama Lola) tale is an important i... and certainly words like "inspirational," "admirable" and "touching" are not undeserved.
At the risk of sounding a tad ornery, I suppose my issue with the volume stems from
[granted I read this nigh 4 years ago!... ;) preface this review with a heavy "Equally I recall"...]My blasé attitude toward this volume has very little to do with the content. It is, in fact, a very fast and pleasant read... certainly worthy (at least) of a airplane ride/summer peruse. Alourdes' (Mama Lola) tale is an important one... and certainly words like "inspirational," "admirable" and "touching" are not undeserved.
At the run a risk of sounding a tad ornery, I suppose my issue with the book stems from the fact that-- given my background in religious studies-- I am no longer struck past narratives which endeavor to explore the charm and value of deviation. By establishing herself as the foil to Mama Lola at the onset of the book, I came to observe KMB's (written) role as observer more or less an imposition of a certain hubris. "Equally Alourdes and I became friends, I found it increasingly difficult to maintain an uncluttered image of myself as scholar and researcher in her presence." "The just was I could hope to understand the psychodrama of Vodou was to open my own life to the ministrations of Alourdes." "A great guffaw exploded from her, and, with one manus planted on each thigh, she threw her head dorsum: 'Karen, y'all also smart for me!'" I understand the value of tracing the evolution of your own transformation equally a reader along with the transformation of your writer... but why hit me over the head with information technology? I get it, it's hard to exist then edumacated and then turn around to endorse caprine animal sacrifice as a generative practice... but why make that explicit? To hook me in and personalize the story? In my opinion, Alourdes can do the heavy lifting on her own. (As is the case as the novel wears on...)
Despite my lack of mercy, I do recommend yous at least give information technology a try. I've jokingly recommended this for the "chicken soup for the soul" crowd. That's simply the tenor of the offset 100 of so pages... its true voice emerges subsequently KMB's slightly awkward maneuvering at the onset.
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She neglects the reality of male person vodou practitioners (who are, for their part, possessed past female spirits), the subjective nature of her own analyses, and the express nature of her experiences with ane detail individual's approach to one role
Entertaining, merely more of an autobiography than a scholarly work. Brown chop-chop and easily falls under Alourdes' charismatic sway, yet as an outsider from a Western bookish background is incapable of truly understanding the dynamics of Haitian vodou.She neglects the reality of male vodou practitioners (who are, for their part, possessed by female spirits), the subjective nature of her ain analyses, and the limited nature of her experiences with one particular private'due south approach to i particular branch of voodoo. She is herself an excellent case against the experiential focus advocated by Schleiermacher and Otto.
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